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Kelly Reichardt: Difference between revisions


 

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== Accolades ==

== Accolades ==

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! scope=”col” | Nominated work

! scope=”col” | Nominated work

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! scope=”col” | {{Tooltip|Ref.|Reference}}

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| 1994

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| [[Independent Spirit Award for Best First Screenplay|Best First Screenplay]]

| [[Independent Spirit Award for Best First Screenplay|Best First Screenplay]]

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| Someone to Watch Award

| Someone to Watch Award

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| rowspan=”2″|2006

| rowspan=”2″|2006

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|[[Palme d’Or]]

|[[Palme d’Or]]

|[[Showing Up (film)|”Showing Up”]]

|[[Showing Up (film)|”Showing Up”]]

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|Nominated

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American film director and screenwriter

Kelly Reichardt (; born March 3, 1964)[1] is an American film director and screenwriter.[2] She is known for her minimalist films closely associated with slow cinema,[3][4] many of which deal with working-class characters in small, rural communities.[5][6]

Reichardt made her feature film debut with River of Grass (1994) and subsequently directed a series of films set and filmed in Oregon: the dramas Old Joy (2006) and Wendy and Lucy (2008); the Western Meek’s Cutoff (2010); and the thriller Night Moves (2013). In 2016, she wrote and directed the Montana-set drama Certain Women. Since 2019, Reichardt has returned to directing Oregon-set dramas, with First Cow, and Showing Up (2022).

Early life and education[edit]

Reichardt was born in 1964 and raised in Miami, Florida. She developed a passion for photography when she was young. Her parents were law enforcement officers who separated when she was young. She earned her MFA at the School of the Museum of Fine Arts in Boston. Reichardt has served as the S. William Senfeld Artist in Residence at Bard College since 2006.[7][8]

Film career[edit]

1994–2006: Feature debut and other works[edit]

Reichardt’s debut film River of Grass was released in 1994. It was nominated for three Independent Spirit Awards,[9] and the Grand Jury Prize at the Sundance Film Festival. It was named one of the best films of 1995 by the Boston Globe, Film Comment, and The Village Voice. Reichardt then had trouble making another feature film, saying, “I had 10 years from the mid-1990s when I couldn’t get a movie made. It had a lot to do with being a woman. That’s definitely a factor in raising money. During that time, it was impossible to get anything going, so I just said, ‘Fuck you!’ and did Super 8 shorts instead.”[10]

In 1999, Reichardt completed the short film Ode, based on Herman Raucher‘s novel Ode to Billy Joe. Next she made two more short films, Then a Year, in 2001, and Travis, which deals with the Iraq War, in 2004. In these two films, critics have noted that she subtly makes clear her displeasure with the Bush administration and its handling of the Iraq War.[10]

Most of Reichardt’s films are regarded by critics to be part of the minimalist movement in films,[10] though Reichardt sees a difference between her work and the movement as a whole.[12]

After Todd Haynes, a close friend of Reichardt, made Safe, she drove Haynes to Portland from the Seattle Film Festival, where she met writer Jon Raymond and Neil Kopp, who respectively wrote and produced several of Reichardt’s films.[12] In 2006, she completed Old Joy, based on a short story in Raymond’s collection Livability. Daniel London and singer-songwriter Will Oldham portray two friends who reunite for a camping trip to the Cascades and Bagby Hot Springs, near Portland. The film won awards from the Los Angeles Film Critics Association, Rotterdam International Film Festival, and Sarasota Film Festival. Notably, it was the first American film to win the Tiger Award at the Rotterdam Film Festival. Kopp won the Producer’s Award at the 2007 Independent Spirit Awards for his work on Old Joy and Paranoid Park.

2008–2016: Critical acclaim[edit]

For her next film, Wendy and Lucy, Reichardt and Raymond adapted another story from Livability. The film explores loneliness and hopelessness through the story of a woman looking for her lost dog. It was released in December 2008 and earned Oscar buzz for lead actress Michelle Williams. It was nominated for Best Film and Best Female Lead at the Independent Spirit Awards. Reichardt then directed Meek’s Cutoff, a Western also starring…



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