Murasaki Shikibu: Difference between revisions
Japanese novelist and poet (c.973–c.1014)
Murasaki Shikibu (紫式部, English: “Lady Murasaki”; c. 973 – c. 1014 or 1025) was a Japanese novelist, poet and lady-in-waiting at the Imperial court in the Heian period. She is best known as the author of The Tale of Genji, widely considered to be one of the world’s first novels, written in Japanese between about 1000 and 1012. Murasaki Shikibu is a descriptive name; her personal name is unknown, but she may have been Fujiwara no Kaoriko (藤原香子), who was mentioned in a 1007 court diary as an imperial lady-in-waiting.
Heian women were traditionally excluded from learning Chinese, the written language of government, but Murasaki, raised in her erudite father’s household, showed a precocious aptitude for the Chinese classics and managed to acquire fluency. She married in her mid-to-late twenties and gave birth to a daughter before her husband died, two years after they were married. It is uncertain when she began to write The Tale of Genji, but it was probably while she was married or shortly after she was widowed. In about 1005, she was invited to serve as a lady-in-waiting to Empress Shōshi at the Imperial court by Fujiwara no Michinaga, probably because of her reputation as a writer. She continued to write during her service, adding scenes from court life to her work. After five or six years, she left court and retired with Shōshi to the Lake Biwa region. Scholars differ on the year of her death; although most agree on 1014, others have suggested she was alive in 1025.
Murasaki wrote The Diary of Lady Murasaki, a volume of poetry, and The Tale of Genji. Within a decade of its completion, Genji was distributed throughout the provinces; within a century it was recognized as a classic of Japanese literature and had become a subject of scholarly criticism. Early in the 20th century her work was translated; a six-volume English translation was completed in 1933. Scholars continue to recognize the importance of her work, which reflects Heian court society at its peak. Since the 13th century her works have been illustrated by Japanese artists and well-known ukiyo-e woodblock masters.
Early life[edit]
Murasaki Shikibu was born c. 973[note 1] in Heian-kyō, Japan, into the northern Fujiwara clan descending from Fujiwara no Yoshifusa, the first 9th century Fujiwara regent.[1] The Fujiwara clan dominated court politics until the end of the 11th century through strategic marriages of their daughters into the imperial family and the use of regencies. In the late 10th century and early 11th century, Michinaga, the so-called Mido Kampaku, arranged his four daughters into marriages with emperors, giving him unprecedented power.[2] Murasaki’s great-grandfather, Fujiwara no Kanesuke, had been in the top tier of the aristocracy, but her branch of the family gradually lost power and by the time of Murasaki’s birth was at the middle to lower ranks of the Heian aristocracy—the level of provincial governors.[3] The lower ranks of the nobility were typically posted away from court to undesirable positions in the provinces, exiled from the centralized power and court in Kyoto.[4]
Despite the loss of status, the family had a reputation among the literati through Murasaki’s paternal great-grandfather and grandfather, both of whom were well-known poets. Her great-grandfather, Fujiwara no Kanesuke, had 56 poems included in 13 of the Twenty-one Imperial Anthologies,[5] the Collections of Thirty-six Poets and the Yamato Monogatari (Tales of Yamato).[6] Her great-grandfather and grandfather both had been friendly with Ki no Tsurayuki, who became notable for popularizing verse written in Japanese.[4] Her father, Fujiwara no Tametoki, attended the State Academy (Daigaku-ryō)[7] and became a well-respected scholar of Chinese classics and poetry; his own verse was anthologized.[8] He entered public service around 968 as a minor official and was given a governorship in 996, staying in service until about 1018.[4][9] Murasaki’s mother was descended from the same branch of northern Fujiwara as Tametoki. The couple had three children, a son and two daughters.[8]
In the Heian era the use of names, insofar as they were recorded, did not follow a modern pattern. A court lady, as well as being known by the title of her own position, if any, took a name referring to the rank or title of a male relative. Thus “Shikibu” is not a modern surname, but refers to Shikibu-shō, the Ministry of Ceremonials where Murasaki’s father was a functionary. “Murasaki”, an additional name possibly derived from the color violet associated with wisteria, the meaning of the word fuji (an element of her clan name), may have been bestowed on her at court in reference to the name she herself had given to the main female character in “Genji”. Michinaga mentions the names of several ladies-in-waiting in…