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Claude-Jean-Baptiste Hoin: Difference between revisions


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He worked in [[pastels]] for his [[portrait miniature]]s, and in [[gouache]] and [[engraving]] for his landscapes. He studied with [[François Devosge]] and [[Jean-Baptiste Greuze]]. He was a member of the Academy of the Sciences and Literature of [[Dijon]] (1776) and an honorary associate of the Royal Academy of Painting of [[Toulouse]].

He worked in [[pastels]] for his [[portrait miniature]]s, and in [[gouache]] and [[engraving]] for his landscapes. He studied with [[François Devosge]] and [[Jean-Baptiste Greuze]]. He was a member of the Academy of the Sciences and Literature of [[Dijon]] (1776) and an honorary associate of the Royal Academy of Painting of [[Toulouse]].

His works include a [[self-portrait]] in pastel (1787), and the portraits ”[[Honoré Gabriel Riqueti, comte de Mirabeau|Mirabeau]]” (1790), ”Guyard” (1786), ”Madame Dugazon” (ca. 1878),”Revue de Toulouse et du Midi de la France” 23 (1866), p. 278 [https://books.google.com/books?id=zxIpAAAAYAAJ&pg=RA1-PA277 online.] and (presumed) ”[[Rosalie Duthé]]”. He is also noted for a pair of pastel portraits of the maternal grandmother and aunt of Octave de Rochebrune, which he signed as ”peintre de Monsieur, frère du roi” (“painter of [[Monsieur]], brother of the king”). These are noted for an ease of execution and the masterly lightness and transparency given to the sheer fabrics.”La Revue du Bas-Poitou et des provinces de l’ouest” 5 (1892), p. 11 [https://books.google.com/books?id=7NtLAAAAMAAJ&pg=PA11 online.]

His works include a [[self-portrait]] in pastel (1787), and the portraits ”[[Honoré Gabriel Riqueti, comte de Mirabeau|Mirabeau]]” (1790), ”Guyard” (1786), ”Madame Dugazon” (ca. 1878),”Revue de Toulouse et du Midi de la France” 23 (1866), p. 278 [https://books.google.com/books?id=zxIpAAAAYAAJ&pg=RA1-PA277 online.] and presumed ”[[Rosalie Duthé]]”. He is also noted for a pair of pastel portraits of the maternal grandmother and aunt of Octave de Rochebrune, which he signed as ”peintre de Monsieur, frère du roi” (“painter of [[Monsieur]], brother of the king”). These are noted for an ease of execution and the masterly lightness and transparency given to the sheer fabrics.”La Revue du Bas-Poitou et des provinces de l’ouest” 5 (1892), p. 11 [https://books.google.com/books?id=7NtLAAAAMAAJ&pg=PA11 online.]

===Personal life===

===Personal life===


Latest revision as of 08:19, 3 September 2023

French painter

Self portrait of the artist, c. 1780, at the National Gallery of Art

Claude-Jean-Baptiste Hoin (5 June 1750 – 16 July 1817) was a French artist known primarily for his portraits and landscapes.

He worked in pastels for his portrait miniatures, and in gouache and engraving for his landscapes. He studied with François Devosge and Jean-Baptiste Greuze. He was a member of the Academy of the Sciences and Literature of Dijon (1776) and an honorary associate of the Royal Academy of Painting of Toulouse.

His works include a self-portrait in pastel (1787), and the portraits Mirabeau (1790), Guyard (1786), Madame Dugazon (ca. 1878),[1] and a presumed portrait of Rosalie Duthé. He is also noted for a pair of pastel portraits of the maternal grandmother and aunt of Octave de Rochebrune, which he signed as peintre de Monsieur, frère du roi (“painter of Monsieur, brother of the king”). These are noted for an ease of execution and the masterly lightness and transparency given to the sheer fabrics.[2]

Personal life[edit]

Hoin died in Dijon, his birthplace.

Gallery[edit]

References[edit]

  1. ^ Revue de Toulouse et du Midi de la France 23 (1866), p. 278 online.
  2. ^ La Revue du Bas-Poitou et des provinces de l’ouest 5 (1892), p. 11 online.



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