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John La Bouchardière: Difference between revisions


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La Bouchardière was a chorister at [[Magdalen College, Oxford]], studied at the [[University of Birmingham]] and was a staff director at [[English National Opera]]. He also spent several years working internationally as an assistant and revival director in opera, for such companies as the BBC, Channel 4, New Israeli Opera, Opera Graz, Opéra National du Rhin, Opera North, Scottish Opera, Teatro Liceu (Barcelona), Vlaamse Opera, Teatro São Carlos (Lisbon), La Fenice and Opera Zurich.{{Cite web|url=http://www.polyphonicfilms.com/about.html|title = About POLYPHONIC – Est. 2006}}

La Bouchardière was a chorister at [[Magdalen College, Oxford]], studied at the [[University of Birmingham]] and was a staff director at [[English National Opera]]. He also spent several years working internationally as an assistant and revival director in opera, for such companies as the BBC, Channel 4, New Israeli Opera, Opera Graz, Opéra National du Rhin, Opera North, Scottish Opera, Teatro Liceu (Barcelona), Vlaamse Opera, Teatro São Carlos (Lisbon), La Fenice and Opera Zurich.{{Cite web|url=http://www.polyphonicfilms.com/about.html|title = About POLYPHONIC – Est. 2006}}

His recent productions include ”[[Semele (Handel)|Semele]]” ([[Scottish Opera]] and [[Florentine Opera]], Milwaukee), ”[[Eugene Onegin (opera)|Eugene Onegin]]”, ”[[Tamerlano]]” (Scottish Opera), ”[[Rigoletto]]” (Opera Holland Park), ”[[Don Giovanni]]” (Operosa Festival, Varna, Bulgaria), ”[[Carmen]]” (Nordfjord, Norway), Cavalli’s ”[[Giasone]]” ([[Royal Academy of Music]]), and Mozart’s ”[[Idomeneo]]” (Florentine Opera).{{Cite web|url=http://thirdcoastdigest.com/2012/05/florentines-idomeneo-thoroughly-modern-opera-seria/|title=Florentine’s “Idomeneo”: Thoroughly modern opera seria}}

His productions include ”[[Semele (Handel)|Semele]]” ([[Scottish Opera]] and [[Florentine Opera]], Milwaukee), ”[[Eugene Onegin (opera)|Eugene Onegin]]”, ”[[Tamerlano]]” (Scottish Opera), ”[[Rigoletto]]” (Opera Holland Park), ”[[Don Giovanni]]” (Operosa Festival, Varna, Bulgaria), ”[[Carmen]]” (Nordfjord, Norway), Cavalli’s ”[[Giasone]]” ([[Royal Academy of Music]]), and Mozart’s ”[[Idomeneo]]” (Florentine Opera).{{Cite web|url=http://thirdcoastdigest.com/2012/05/florentines-idomeneo-thoroughly-modern-opera-seria/|title=Florentine’s “Idomeneo”: Thoroughly modern opera seria}}

He is best known for ”[[The Full Monteverdi (film)|The Full Monteverdi]]”, his acclaimed reworking of [[Monteverdi]]’s Fourth book of Madrigals with [[I Fagiolini]], winning a [[Royal Philharmonic Society]] Award in 2006; it toured widely as a live production, including a run of performances at [[Lincoln Center for Performing Arts]], [[New York City]].{{Cite news|url=http://theater.nytimes.com/2007/07/24/arts/music/24mont.html|title=What’s on Tonight’s Menu? A Torrid Lovers’ Quarrel|newspaper=The New York Times|date=24 July 2007|last1=Kozinn|first1=Allan}} This was released in a [[The Full Monteverdi (film)|film]] version in 2007 and has been awarded a Choc du Monde de la Musique.;{{Cite web|url=https://www.theguardian.com/stage/theatreblog/2007/nov/11/matchmakingattheopera|title = Matchmaking at the opera|website = [[TheGuardian.com]]|date = 11 November 2007}}William Verrone: ”Adaptation and the Avant-Garde: Alternative Perspectives on Adaptation Theory and Practice” (Bloomsbury, 2011) La Bouchardière was creative director at Polyphonic Films from 2006 to 2021 and created ”[[Music Room (TV series)|Music Room]]”, a classical music television series for the cable channel [[Sky Arts]].

He is best known for ”[[The Full Monteverdi (film)|The Full Monteverdi]]”, his acclaimed reworking of [[Monteverdi]]’s Fourth book of Madrigals with [[I Fagiolini]], winning a [[Royal Philharmonic Society]] Award in 2006; it toured widely as a live production, including a run of performances at [[Lincoln Center for Performing Arts]], [[New York City]].{{Cite news|url=http://theater.nytimes.com/2007/07/24/arts/music/24mont.html|title=What’s on Tonight’s Menu? A Torrid Lovers’ Quarrel|newspaper=The New York Times|date=24 July 2007|last1=Kozinn|first1=Allan}} This was released in a [[The Full Monteverdi (film)|film]] version in 2007 and has been awarded a Choc du Monde de la Musique.;{{Cite web|url=https://www.theguardian.com/stage/theatreblog/2007/nov/11/matchmakingattheopera|title = Matchmaking at the opera|website = [[TheGuardian.com]]|date = 11 November 2007}}William Verrone: ”Adaptation and the Avant-Garde: Alternative Perspectives on Adaptation Theory and Practice” (Bloomsbury, 2011) La Bouchardière was creative director at Polyphonic Films from 2006 to 2021 and created ”[[Music Room (TV series)|Music Room]]”, a classical music television series for the cable…



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